The Beach, The M3 and Portra

Late afternoons, mostly late Sunday afternoons...my favorite time to shoot at the beach near where I live. Leica M3, 50 f/2 Summicron, Kodak's Portra 400 exposed at one half the box speed.

Things that just work...

For me, Sundays are for relaxing and photography. While thinking about what kit to shoot today, I recalled that I hadn't shot my Leica M3 for a while.  When I went to grab it from the camera bag, noticed it was loaded with film (24 shots in). The little metal film speed reminder dial on the back was set to ASA 100 and the yellow filter on front of the 5cm Summarit would mean there was Acros or TMax inside. Sometime during this busy Summer, I had started this roll and today, I'll finish it off. For the life of me, I can't remember what's on the exposed frames.

What is amazing is that while my 56 year old memory often fails me, this similarly aged Leica doesn't. Clicked off a few shots in the beautiful early Sunday morning light and the shutter fired off quietly, sublimely, precisely. My trusty old Weston Master light meter came to life for me as well. These things were designed before computers, assembled by hand by people. A testament to good, solid engineering and fine craftsmanship.

Two Ps Are Better Than One

When I find a vintage camera I really like shooting, a little bit of worry creeps in. When a camera has been out of production for 20, 30, 40, 50...60 years, replacing or repairing a favorite shooter isn't easy. They aren't making any more of these things. So I worry to myself: "Gosh, I really like this camera. What if I drop it off a cliff? Will I ever find another?" 

When I stumble on a camera I enjoy using, I start snooping around eBay and Craigslist for a back-up body. The back-up might replace the primary camera should that one fail or, at the very least, contribute parts during a repair.

I've written how I enjoy using my Canon P, a mechanical rangefinder from the late 1950s. I sourced my original P from Japan and had the Japan Camera Hunter (Bellamy Hunt) find me a Canon LTM f/1.4 50mm lens for it. The lens Bellamy found me, by the way, looks like it's never been used. Trotting around happily shooting my P, I got to thinking that I should acquire a back-up body just in case. I trolled around eBay and found another decent P on the East Coast. It was a bargain. I was thinking I might send my original P or the recently acquired one off to Youxin Ye for a CLA. October maybe.

Minimalism in Photography

I have learned something about myself during the five years that I've been tinkering around with old film cameras. Even though I always have at least a dozen different cameras in my arsenal, I seem to grab the same minimalist cameras over and over. I enjoy photography the most when I have the least amount of technology between the image and me. 

When I shoot Sunny 16, it's the Canon P I grab most often, followed by my Leica M2 or M3. I love the substantial sound of the Canon's metal shutter curtain and the Canon LTM 50mm f/1.4 lens is capable of lovely images. Considering the fact that my investment in this Canon kit was very modest, it's a camera I don't mind tossing into the car and carrying around with me often.

When I want a camera with a built-in meter, I'm apt to shoot one of my Nikon F2s or the FM2. If I'm out for a day of walking or hiking, size and weight always seem to rule and in that case, I'll grab my Leica MP. The MP is small and light. You can tote it around all day with ease. The Leica's simple built-in meter is nearly always spot on. Shooting any Leica M body is a treat and my 35mm f/2 Summicron is small, precise and sharp.

After trying lots of different film cameras, I've settled on simple, mechanical, manual focus, manual exposure cameras made of metal. Minimalist tools seem to work best for me. 

Portra 400 at Point Reyes & Tomales Bay

I find myself waffling back and forth between two color films: Kodak Ektar 100 and Kodak Portra 400. For a few years, I shot nothing but Ektar and loved the saturated colors and fine grain. Recently, I've been shooting Portra and am starting to enjoy it's color palette--especially when overexposed. Maybe it's the seasons. Maybe it's the lens I'm using. I'm not sure, but I am happy to still have the choice of using either of these fine films.

Here are some Sunday shots from Point Reyes Station and Tomales Bay. Leica MP, 35mm f/2 Summicron, Portra 400 metered at half the box speed.

Lately...

Work has consumed me much of this Summer and I haven't been out shooting as much as I would  have liked to. I did use up some Fuji Pro 400H film that had just inched past it's expiration date. My results were hit and miss as is almost always the case when I shoot Fuji color film.  Here are some my favorites from the Pro 400H rolls..

With the Fuji gone, it was time to re-stock for the prime picture taking months ahead. I've always had better luck shooting Kodak film and have decided to spend some time getting to know the Portra emulsions better. Clicked up B&H Photo in NYC and ordered a Pro Pack of 160 and 400. Considering all of the black and white I shoot. this stock of color film should last me through the end of the year.

I also added another camera and lens to my arsenal. Both were sourced by Bellamy Hunt (the Japan Camera Hunter). The camera is a Nikon FM2n. I purchased one of these brand new in the  1990s and sold it during my divorce. I enjoyed using the FM2n. Simple, mechanical, reliable. I regretted selling it then and have always wanted another. Bellamy found me a "new old stock" FM2n in Japan for about the same price as well-used copies were selling for on eBay. It only took three business days to arrive Japan to California. The camera still had the protective tab inside the film chamber that you remove before shooting.

Bellamy also found me a lens that's been on my wish list for many years--the 85mm f/1.4 Ais Nikkor. This is a huge hunk of glass and considered to be one of the best manual focus Nikkors ever made. I shoot a lot with the 85mm focal length so this lens will get oodles of use.

Welcome

I had a blog on Wordpress for a little over a year. It got to be a hungry beast which I was having a difficult time feeding--I don't always have interesting things to say.  After a technical problem I couldn't solve, I decided to pull it down. I still wanted a place to tack up my photos and write some things every now and then, so here I am.

I'll post the photographs I take that I think are worth sharing and write from time to time. Thank you for stopping by and for looking. If you care to comment, please pull up a chair. Love to hear from you.